Перегляд за Автор "Шевченко, А.В."

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Западнопонтийские светильники II – VI вв. из Херсонеса
(Харківський університет, 1983) Сорочан, С.Б.; Шевченко, А.В.
Исследование изменения морфологии нанопленок золота, нанесенных на оксидные материалы, при отжиге
(2009) Габ, И.И.; Костюк, Б.Д.; Стецюк, Т.В.; Куркова, Д.И.; Шевченко, А.В.; Дукаров, С.В.; Крышталь, А.П.
Changes of morphology gold nanofilms 200 nm thickness which sputtered onto oxide materials as a result annealing of them in vacuum at temperatures 800–1100°C are investigated. It is established that fragmentation films of given thickness is proceeds enough intensively at 900°C, and after heating of them up to 1000°C the films break up to separate drops and the further heating these films up to 1100°C essential changes in morphology of them are not observed. Distinction in morphology films which were annealed as in vacuum and as in air is revealed. In the latter case process of film disintegration occurs more slowly and at higher temperatures comparison with annealing in vacuum. . . . . . . . . . . . . . . . . . Исследованы изменения морфологии, которые происходят в золотых нанопленках толщиной 200 нм, нанесенных на оксидные материалы, в результате отжига их в вакууме при температурах 800–1100°С. Установлено, что при данной толщине фрагментация пленок протекает достаточно интенсивно при 900°С, а при нагреве до 1000°С пленка распадается на отдельные капли и дальнейший нагрев до 1100°С существенных изменений в морфологию пленки не вносит. Обнаружено различие в морфологии пленок, отожженных в вакууме и на воздухе. В последнем случае процесс распада пленки происходит медленнее и при более высоких температурах.
Каталог терракотовых алтариков с рельефными украшениями на стенках
(1995) Шевченко, А.В.
Терракотовые алтарики из Херсонеса
(1995) Шевченко, А.В.
Shevchenko A. V. The Terracota Altars from Chersonesus The notice is dedicated to the group of votive ite ms from Chersonesus – terracotta altars with relief images on walls. Principal attention is paid to the similarity of mythological characters portrayed on altars and also the time of their appearance and existance in Hellenic Chersonesus, The author associates their appearance with animation of bounds with Deloss sanctuary in the III and especially in the II century B. C. and considers Chersonesus as a centre of manufacture of these items for Noth Black-Sea-coast region. The notice is supplied by the cataloque of 19 finds of those items found in Chersonesus.
Херсонесские терракоты и их художественная значимость
(2004) Шевченко, А.В.
A. Shevchenko. Chersonesus Terra-cottas and Their Artistic Significance The artistic significance of Chersonesus terra-cottas is not properly examined still. Only several terra-cottas attracted attention of art historians, though there are a lot of interesting works of great talent in Chersonesus collection that were made by Chersonesus sculptors in the III—II centuries B.C. The images of Chersonesus divine beings (the Virgin, Heracles, Dionysus, Aphrodite, Apollo, Cybele) realized in terra-cottas have a lot of analogues in marble works of sculpture of Attica and Asia Minor, especially in Pergam and Smyrna. Though Chersonesus art of terra-cotta was under the influence of Asia Minor tradition, it developed independently. It was local school that inherited classical tradition of antique art and enriched it with new ideas and original local colour.